Thinking of Morandi

Morandi’s sketches and paintings seen at an exhibition struck a chord with me and I tried to do something with the idea of aligning objects in a still life. It turned out this is much harder than I had expected if I wanted to avoid boring pictures.

I chose simple objects: 2 white vases with square base, a tin cup and a blue glass vase. When sketching I noticed that I did not really have any horizon line and I also wanted to see the objects straight on, not from above. So I moved them up onto a box.

sketch Morandi
Graphite, A4 cartridge paper

I do not really see any merit in these. The glass bottle broke the light in interesting ways which I found much more interesting than what I had set out to do. What had caught my interest in Morandi’s sketches – the sharing of lines and play with positive and negative spaces – I had not produced.

So I moved my objects onto the window sill and arranged them in a way so that lines from the window would continue as the vases’ edges. It did not get any more interesting.

sketch morandi 2

Maybe if the vases were round? Or if I added the blue bottle? Although it is the blue glass that fascinates me in that, which is not the point here, I made an attempt in ink.

blue bottle
Calligraphy ink, A3 watercolour paper

This, too, turned out boring and timid. Maybe it could be turned into something, but I feel I am moving backwards from what I have achieved in unit 3 and also from the exercise with the candles. I think, at this point, working with rigid rules and concentrating on reduction and simplicity in order to achieve graphic impact is not good for me. So I decided to leave this.

I also feel that I want still lifes to have other qualities than graphic ones. I want to have an emotional connection to them maybe, at least feel fascinated by what the light does or something like that. I want them to have a twist.

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